I think this is appropriate, because my favorite software is a transport for media. YouTube, music downloads, blogs, and web comics are all old media turned new. TV and movies are old and web videos are new. CDs are old and downloads are new. Books and magazines are old and blogging is new. Newspaper comics are old and web comics are new. Why did I single out comics? Because, Scott Adams, of Dilbert fame (who has an excellent, non-comic-centric blog) took fledgely comic cartoonist, Scott Meyer, under his wing. This is old teaching new, and is interesting to watch.
On the first post from Adams, I commented about how many cartoonists might not even want the traditional route of syndication, and will choose to stay with web formats. On part 2, I commented as follows:
On the first post from Adams, I commented about how many cartoonists might not even want the traditional route of syndication, and will choose to stay with web formats. On part 2, I commented as follows:
It is becoming one of the defining characteristics of the New Media that more people can make less money. To the eyes of the Old Media, this is obviously a Bad Thing. No one gets quite as much attention or makes quite as much money, but if you look at how many more people can make it at least to a good level, and you sum it all up, I'd be sure the overall industry makes more. To add to that, huge chunks of the money aren't going to syndication agencies and other central entities. More of the less money stays with the artists. The same is happening in moves from newspaper comics to web comics, music from CD to download, and sixty dollar video games being pushed aside for dozens of ten to twenty dollar smaller titles, each. The end is more variety, and a better chance of finding something that you like, more people make a living on what they love, and more of the profits staying with the people who are actually doing the creating. The old media will not go away for a long time, and we still need it, but the model simply changes. Cartoonists aren't supposed to make a million dollars a year any more, and that's OK if, instead, twenty or more cartoonists can make a very decent living with their craft, don't you agree?
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